22 February, 2020

CONCERT: Auditorio de Musikene / 19:00h. San Sebastián (Pays Basque)   ORQUESTA SINFÓNICA DE MUSIKENE Lucía Gómez, alto Mikel Zabala, bass Nacho de Paz, conductor P. Sorozábal: Variaciones sinfónicas C. Bernaola: La Celestina. Ballet (versión concierto)    

Estrenos de obras de alumnos del Departamento de Composición

Academia para la Nueva Música (CSMA) Nacho de Paz, dirección musical

Estrenos de obras de alumnos del Departamento de Composición

Academia para la Nueva Música (CSMA) Nacho de Paz, dirección musical

ORQUESTA TITULAR DEL TEATRO REAL Teatro Real / Naves Matadero, Madrid 05.March.2020   THREE TALES BY STEVE REICH AND BERYL KOROT 05 MAR, 20 - 07 MAR, 20   The Teatro Real embarks on a new production of Three Tales, by Steve Reich and Beryl Korot. The “Naves Matadero - Centro Internacional de Artes Vivas” will bear witness to a reflection of scientific impact on humanity. Three independent works travel through the consequences of three scientific events of great relevance: aeronautical ambition, destructive nuclear energy, and the cloning game. Soloists of the Symphonic Orchestra of Madrid will play under the direction of Nacho de Paz. Documentary Opera in three acts. Music by Steve Reich (1936) for an instrumental and vocal ensemble (amplified and electronic). Video by Beryl Korot. Premiered in the Vienna Festival the 12th of May 2002. Premiere of the Teatro Real season. Production of the Teatro Real in co-production with the “Naves del Matadero – Centro Internacional de Artes Vivas”. ___ ARTISTIC TEAM Synergy Vocals Orquesta Titular del Teatro Real Conductor Nacho de Paz Sound Operator Norbert Ommer Video Operator Johannes Bernstein (Big Cinema GMBH) ___      

ORQUESTA TITULAR DEL TEATRO REAL Teatro Real / Naves Matadero, Madrid 06.March.2020   THREE TALES BY STEVE REICH AND BERYL KOROT 05 MAR, 20 - 07 MAR, 20   The Teatro Real embarks on a new production of Three Tales, by Steve Reich and Beryl Korot. The “Naves Matadero - Centro Internacional de Artes Vivas” will bear witness to a reflection of scientific impact on humanity. Three independent works travel through the consequences of three scientific events of great relevance: aeronautical ambition, destructive nuclear energy, and the cloning game. Soloists of the Symphonic Orchestra of Madrid will play under the direction of Nacho de Paz. Documentary Opera in three acts. Music by Steve Reich (1936) for an instrumental and vocal ensemble (amplified and electronic). Video by Beryl Korot. Premiered in the Vienna Festival the 12th of May 2002. Premiere of the Teatro Real season. Production of the Teatro Real in co-production with the “Naves del Matadero – Centro Internacional de Artes Vivas”. ___ ARTISTIC TEAM Synergy Vocals Orquesta Titular del Teatro Real Conductor Nacho de Paz Sound Operator Norbert Ommer Video Operator Johannes Bernstein (Big Cinema GMBH) ___    

ORQUESTA TITULAR DEL TEATRO REAL Teatro Real / Naves Matadero, Madrid 06.March.2020   THREE TALES BY STEVE REICH AND BERYL KOROT 05 MAR, 20 - 07 MAR, 20   The Teatro Real embarks on a new production of Three Tales, by Steve Reich and Beryl Korot. The “Naves Matadero - Centro Internacional de Artes Vivas” will bear witness to a reflection of scientific impact on humanity. Three independent works travel through the consequences of three scientific events of great relevance: aeronautical ambition, destructive nuclear energy, and the cloning game. Soloists of the Symphonic Orchestra of Madrid will play under the direction of Nacho de Paz. Documentary Opera in three acts. Music by Steve Reich (1936) for an instrumental and vocal ensemble (amplified and electronic). Video by Beryl Korot. Premiered in the Vienna Festival the 12th of May 2002. Premiere of the Teatro Real season. Production of the Teatro Real in co-production with the “Naves del Matadero – Centro Internacional de Artes Vivas”. ___ ARTISTIC TEAM Synergy Vocals Orquesta Titular del Teatro Real Conductor Nacho de Paz Sound Operator Norbert Ommer Video Operator Johannes Bernstein (Big Cinema GMBH) ___  

ORQUESTA TITULAR DEL TEATRO REAL Teatro Real / Naves Matadero, Madrid 07.March.2020   THREE TALES BY STEVE REICH AND BERYL KOROT 05 MAR, 20 - 07 MAR, 20   The Teatro Real embarks on a new production of Three Tales, by Steve Reich and Beryl Korot. The “Naves Matadero - Centro Internacional de Artes Vivas” will bear witness to a reflection of scientific impact on humanity. Three independent works travel through the consequences of three scientific events of great relevance: aeronautical ambition, destructive nuclear energy, and the cloning game. Soloists of the Symphonic Orchestra of Madrid will play under the direction of Nacho de Paz. Documentary Opera in three acts. Music by Steve Reich (1936) for an instrumental and vocal ensemble (amplified and electronic). Video by Beryl Korot. Premiered in the Vienna Festival the 12th of May 2002. Premiere of the Teatro Real season. Production of the Teatro Real in co-production with the “Naves del Matadero – Centro Internacional de Artes Vivas”. ___ ARTISTIC TEAM Synergy Vocals Orquesta Titular del Teatro Real Conductor Nacho de Paz Sound Operator Norbert Ommer Video Operator Johannes Bernstein (Big Cinema GMBH) ___

ORQUESTA NACIONAL DE ESPAÑA Auditorio Nacional, Madrid 14.March.2020   http://ocne.mcu.es/programacion/meditacion OLIVIER MESSIAEN Les offrandes oubliées JOSÉ MANUEL LÓPEZ-LÓPEZ Tisseur de sable - Obra encargo de la Fundación BBVA. - WORLD PREMIERE STEVE REICH The four sections SPANISH PREMIERE  

LOS NIBELUNGOS I PARTE I: LA MUERTE DE SIGFRIDO 21 MAR, 20 Orquesta Titular del Teatro Real Dirección musical: Nacho de Paz   El nacimiento del cine vino acompañado de música. Su unión es tan indisoluble que es difícil entender el primero sin el segundo. El Teatro Real abre una nueva puerta al arte global uniendo por primera vez en su escenario a su Orquesta Titular con el genio de Fritz Lang. LOS NIBELUNGOS (Alemania, 1924) Dirección Fritz Lang Música Gottfried Huppertz Guión Fritz Lang Thea Von Harbou Dirección de Fotografía Carl Hoffmann Günther Rittau Parte I: La Muerte de Sigfrido 21 de marzo de 2020. 20.00 h Director Musical: Nacho de Paz Orquesta Titular del Teatro Real Salida a la venta 9 de diciembre de 2019

LOS NIBELUNGOS II PARTE I: LA VENGANZA DE KRIMILDA 28 MAR, 20 Orquesta Titular del Teatro Real Dirección musical: Nacho de Paz   El nacimiento del cine vino acompañado de música. Su unión es tan indisoluble que es difícil entender el primero sin el segundo. El Teatro Real abre una nueva puerta al arte global uniendo por primera vez en su escenario a su Orquesta Titular con el genio de Fritz Lang. LOS NIBELUNGOS (Alemania, 1924) Dirección Fritz Lang Música Gottfried Huppertz Guión Fritz Lang Thea Von Harbou Dirección de Fotografía Carl Hoffmann Günther Rittau Parte II: La Venganza de Krimilda 28 de marzo de 2020. 20.00 h Director Musical: Nacho de Paz Orquesta Titular del Teatro Real Salida a la venta 9 de diciembre de 2019

PHACE »LIGHTNESS« 04.April.2020 // 19:30 Krems, Imago Dei

PROGRAM

 

François Sarhan

Talea 3 für 5 Instrumente im Raum mit Elektronik, 2017 10′

Juliana Hodkinson

Ligntness, 2017 23′

Lorenzo Troiani

La fine è senza fine für 5 Instrumente, 2017 10′

Johannes Maria Staud

Neues Werk für Ensemble (2019/20) (UA) 14′ Auftragswerk von PHACE, Osterfestival Tirol, mit Unterstützung durch das Wiener Konzerthaus

P A U S E

Alexandra Karastoyanova-Hermentin

Neues Werk, 2019/20 für Ensemble 13′

Kaija Saariaho

Lichtbogen für Ensemble and electronics, 1986 18′

 

PHACE Nacho de Paz, conductor

 

WEB

 

PHACE »LICHTBOGEN« 07.April.2020 // 20:15 Hall i.T., Osterfestival

PROGRAM

 

Alexandra Karastoyanova-Hermentin

Neues Werk, 2019/20 für Ensemble 13′

Lorenzo Troiani

La fine è senza fine für 5 Instrumente, 2017 10′

Johannes Maria Staud

Neues Werk für Ensemble (2019/20) (UA) 14′ Auftragswerk von PHACE, Osterfestival Tirol, mit Unterstützung durch das Wiener Konzerthaus

P A U S E

Toro Takemitsu

Between tides für Klaviertrio, 1993 15′

Kaija Saariaho

Lichtbogen für Ensemble and electronics, 1986 18′

 

PHACE Nacho de Paz, conductor

 

WEB

 

Estrenos de obras de alumnos del Departamento de Composición

Academia para la Nueva Música (CSMA) Nacho de Paz, dirección musical

10 May, 2020 Centro Nacional de las Artes (Cenart) - Auditorio Blas Galindo México, Ciudad de México

ORQUESTA ESCUELA CARLOS CHÁVEZ  Sistema Nacional de Fomento Musical Nacho de Paz, conductor   Ralph Vaughan Williams: Concert for oboe and strings Carl Maria von Weber: Aufforderung zum Tanz, J. 260, op.65 Richard Strauss: Till Eulenspiegels lustige Streiche

PHACE Muziekcentrum De Bijloke Gent 23.May.2020 https://www.bijloke.be/programma/1061/Phace/Die_Stadt_ohne_Juden/   Silent Movie Die Stadt ohne Juden (Österreich, 1924) The City without Jews (Austria, 1924) directed by: Hans Karl Breslauer music: Olga Neuwirth (2017) A production by Wiener Konzerthaus, Elbphilharmonie Hamburg, Ensemble Intercontemporain, Barbican Centre, Sinfonieorchester Basel and ZDF/ARTE in cooperation with Wien Modern and Filmarchiv Austria. Today, the silent film DIE STADT OHNE JUDEN (“The City Without Jews”) is regarded as one of the most important Austrian productions of the interwar period. Based on the eponymous novel by the Jewish writer and journalist Hugo Bettauer, the film was shot in Vienna in 1924. Disturbingly prophetic, it shows the cultural and economic impoverishment of a city following the expulsion of its Jewish population. The film was only preserved in a fragmentary and, in terms of its content, downplayed version, until the Filmarchiv Austria succeeded in finding the missing parts in France. For this extraordinary silent film project the Wiener Konzerthaus and other partners commissioned the Austrian composer Olga Neuwirth to write an accompanying music. PHACE will perform the world premiere of the newly restored version and the new score in November 2018 in Wiener Konzerthaus in Vienna. Performances in the concert houses of the commission partners all over Europe will follow. Television in Germany and France (ZDF / ARTE) is also in preparation.

PHACE LE STUDIO Film und Bühne c/o Studio Molière Liechtensteinstraße 37 1090 Wien https://lestudio.at   Silent Movie Die Stadt ohne Juden (Österreich, 1924) The City without Jews (Austria, 1924) directed by: Hans Karl Breslauer music: Olga Neuwirth (2017) A production by Wiener Konzerthaus, Elbphilharmonie Hamburg, Ensemble Intercontemporain, Barbican Centre, Sinfonieorchester Basel and ZDF/ARTE in cooperation with Wien Modern and Filmarchiv Austria. Today, the silent film DIE STADT OHNE JUDEN (“The City Without Jews”) is regarded as one of the most important Austrian productions of the interwar period. Based on the eponymous novel by the Jewish writer and journalist Hugo Bettauer, the film was shot in Vienna in 1924. Disturbingly prophetic, it shows the cultural and economic impoverishment of a city following the expulsion of its Jewish population. The film was only preserved in a fragmentary and, in terms of its content, downplayed version, until the Filmarchiv Austria succeeded in finding the missing parts in France. For this extraordinary silent film project the Wiener Konzerthaus and other partners commissioned the Austrian composer Olga Neuwirth to write an accompanying music. PHACE will perform the world premiere of the newly restored version and the new score in November 2018 in Wiener Konzerthaus in Vienna. Performances in the concert houses of the commission partners all over Europe will follow. Television in Germany and France (ZDF / ARTE) is also in preparation.

PHACE LE STUDIO Film und Bühne c/o Studio Molière Liechtensteinstraße 37 1090 Wien https://lestudio.at   Silent Movie Die Stadt ohne Juden (Österreich, 1924) The City without Jews (Austria, 1924) directed by: Hans Karl Breslauer music: Olga Neuwirth (2017) A production by Wiener Konzerthaus, Elbphilharmonie Hamburg, Ensemble Intercontemporain, Barbican Centre, Sinfonieorchester Basel and ZDF/ARTE in cooperation with Wien Modern and Filmarchiv Austria. Today, the silent film DIE STADT OHNE JUDEN (“The City Without Jews”) is regarded as one of the most important Austrian productions of the interwar period. Based on the eponymous novel by the Jewish writer and journalist Hugo Bettauer, the film was shot in Vienna in 1924. Disturbingly prophetic, it shows the cultural and economic impoverishment of a city following the expulsion of its Jewish population. The film was only preserved in a fragmentary and, in terms of its content, downplayed version, until the Filmarchiv Austria succeeded in finding the missing parts in France. For this extraordinary silent film project the Wiener Konzerthaus and other partners commissioned the Austrian composer Olga Neuwirth to write an accompanying music. PHACE will perform the world premiere of the newly restored version and the new score in November 2018 in Wiener Konzerthaus in Vienna. Performances in the concert houses of the commission partners all over Europe will follow. Television in Germany and France (ZDF / ARTE) is also in preparation.

PHACE Oper Graz Gent 09.June.2020 https://www.oper-graz.com/production-details/die-stadt-ohne-juden   Silent Movie Die Stadt ohne Juden (Österreich, 1924) The City without Jews (Austria, 1924) directed by: Hans Karl Breslauer music: Olga Neuwirth (2017) A production by Wiener Konzerthaus, Elbphilharmonie Hamburg, Ensemble Intercontemporain, Barbican Centre, Sinfonieorchester Basel and ZDF/ARTE in cooperation with Wien Modern and Filmarchiv Austria. Today, the silent film DIE STADT OHNE JUDEN (“The City Without Jews”) is regarded as one of the most important Austrian productions of the interwar period. Based on the eponymous novel by the Jewish writer and journalist Hugo Bettauer, the film was shot in Vienna in 1924. Disturbingly prophetic, it shows the cultural and economic impoverishment of a city following the expulsion of its Jewish population. The film was only preserved in a fragmentary and, in terms of its content, downplayed version, until the Filmarchiv Austria succeeded in finding the missing parts in France. For this extraordinary silent film project the Wiener Konzerthaus and other partners commissioned the Austrian composer Olga Neuwirth to write an accompanying music. PHACE will perform the world premiere of the newly restored version and the new score in November 2018 in Wiener Konzerthaus in Vienna. Performances in the concert houses of the commission partners all over Europe will follow. Television in Germany and France (ZDF / ARTE) is also in preparation.

PHACE »LICHTBOGEN« 07.April.2020 // 20:15 Innsbruck, Haus der Musik, Musik+ / Osterfestival

La fine è senza fine Ensemble Phace u.a. Saariaho, Troiani, Staud (UA) Seit Jahren begleitet uns eines der bemerkenswertesten Ensembles für Neue Musik: das österreichische Ensemble Phace mit Ur- und Erstaufführungen. In der 32. Edition freuen wir uns besonders über das gemeinsame Auftragswerk an Johannes Maria Staud. Tōru Takemitsus Komposition Between Tides ist ein Spiel von Erwachen und Vergehen. Kaija Saariaho verfällt in Lichtbogen der Faszination von Lichtbewegungen – die Musik mutet traumhaft an. Troianis Werk zeichnet mit kleinen Gesten Figuren in die Luft. Ein Abend voller Klangerlebnisse.

PROGRAMM

Lorenzo Troiani

La fine è senza fine für 5 Instrumente, 2017 10′

Johannes Maria Staud

Neues Werk für Ensemble (2019/20) (UA) 14′ Auftragswerk von PHACE, Osterfestival Tirol, mit Unterstützung durch das Wiener Konzerthaus

P A U S E

Toru Takemitsu

Between tides für Klaviertrio, 1993 15′

Kaija Saariaho

Lichtbogen für Ensemble and electronics, 1986 18′

PHACE Nacho de Paz, conductor

WEB

Ciné-concert «Das alte Gesetz»

Philharmonie Luxembourg Rainy Days Festival 2020

20.11.2020 20:00, Grand Auditorium     add to calendar   ensemble recherche Nacho de Paz direction   Film: Das alte Gesetz The story of a rabbi’s son who leaves his shtetl in Galicia to become a celebrated star actor at Vienna’s Burgtheater lies at the core of Ewald André Dupont’s Das alte Gesetz of 1923, a highlight of Jewish film-making in Germany. In this newly restored version with music by Philippe Schoeller, the film was celebrated as a sensational rediscovery at the 2018 Berlinale. Dans le cadre de «come together − rainy days 2020»

WEB

27.Nov.2020 // 19:30 Wiener Konzerthaus, Berio Saal

 

PHACE Oper Graz Gent 06.December.2020 https://www.oper-graz.com/production-details/die-stadt-ohne-juden   Silent Movie Die Stadt ohne Juden (Österreich, 1924) The City without Jews (Austria, 1924) directed by: Hans Karl Breslauer music: Olga Neuwirth (2017) A production by Wiener Konzerthaus, Elbphilharmonie Hamburg, Ensemble Intercontemporain, Barbican Centre, Sinfonieorchester Basel and ZDF/ARTE in cooperation with Wien Modern and Filmarchiv Austria. Today, the silent film DIE STADT OHNE JUDEN (“The City Without Jews”) is regarded as one of the most important Austrian productions of the interwar period. Based on the eponymous novel by the Jewish writer and journalist Hugo Bettauer, the film was shot in Vienna in 1924. Disturbingly prophetic, it shows the cultural and economic impoverishment of a city following the expulsion of its Jewish population. The film was only preserved in a fragmentary and, in terms of its content, downplayed version, until the Filmarchiv Austria succeeded in finding the missing parts in France. For this extraordinary silent film project the Wiener Konzerthaus and other partners commissioned the Austrian composer Olga Neuwirth to write an accompanying music. PHACE will perform the world premiere of the newly restored version and the new score in November 2018 in Wiener Konzerthaus in Vienna. Performances in the concert houses of the commission partners all over Europe will follow. Television in Germany and France (ZDF / ARTE) is also in preparation.

19 December, 2020

CONCERT: Auditorio de Musikene / 19:00h. San Sebastián (Pays Basque)   MUSIKENE SINFONIETTA Gabriel Sevilla, violoncello Irene Fraile, soprano Nacho de Paz, conductor Juan Crisóstomo Arriaga: Obertura in f minor, Op.1 Ottorino Respighi: Adagio con variazioni, P. 133 Carmelo Bernaola: Galatea, Rocinante y Preciosa Bruno Maderna: Serenata no. 2 Zuriñe Fernández Guerenabarrena : world premiere piece  

Estrenos de obras de alumnos del Departamento de Composición

Academia para la Nueva Música (CSMA) Nacho de Paz, dirección musical

Estrenos de obras de alumnos del MASTER en Composición

Academia para la Nueva Música (CSMA) Nacho de Paz, dirección musical

Jesús Rueda (1961): Islas, para orquesta de cuerda (2008) Cristóbal Halffter (1930): La rebelión de los ecos *+ (2017) Dmitri Shostakóvich (1906-1975) Sinfonía de cámara en do menor, op. 110a (arr. R. Barshai) *+ Estreno absoluto. Encargo del Centro Nacional de Difusión Musical (CNDM)   GRUPO ENIGMA Nacho de Paz, dirección

Estrenos de obras de alumnos del Departamento de Composición

Academia para la Nueva Música (CSMA) Nacho de Paz, dirección musical

Jesús Rueda (1961): Islas, para orquesta de cuerda (2008) Cristóbal Halffter (1930): La rebelión de los ecos *+ (2017) Dmitri Shostakóvich (1906-1975) Sinfonía de cámara en do menor, op. 110a (arr. R. Barshai) *+ Estreno absoluto. Encargo del Centro Nacional de Difusión Musical (CNDM)   GRUPO ENIGMA Nacho de Paz, dirección

Morton Feldman: “The Straits of Magellan” (1961)

 

Beat Furrer: “Linea dell’orizzonte” (2012)

 

Dai Fujikura: “Abandoned Time” (for electric guitar and ensemble) (2004 / 2007)

 

Rebecca Saunders: “A Visible Trace” (2006)

  Academia para la Nueva Música (CSMA) Nacho de Paz, dirección  

PHACE MaerzMusik Berlin 29.March.2019   Silent Movie Die Stadt ohne Juden (Österreich, 1924) The City without Jews (Austria, 1924) directed by: Hans Karl Breslauer music: Olga Neuwirth (2017) A production by Wiener Konzerthaus, Elbphilharmonie Hamburg, Ensemble Intercontemporain, Barbican Centre, Sinfonieorchester Basel and ZDF/ARTE in cooperation with Wien Modern and Filmarchiv Austria. Today, the silent film DIE STADT OHNE JUDEN (“The City Without Jews”) is regarded as one of the most important Austrian productions of the interwar period. Based on the eponymous novel by the Jewish writer and journalist Hugo Bettauer, the film was shot in Vienna in 1924. Disturbingly prophetic, it shows the cultural and economic impoverishment of a city following the expulsion of its Jewish population. The film was only preserved in a fragmentary and, in terms of its content, downplayed version, until the Filmarchiv Austria succeeded in finding the missing parts in France. For this extraordinary silent film project the Wiener Konzerthaus and other partners commissioned the Austrian composer Olga Neuwirth to write an accompanying music. PHACE will perform the world premiere of the newly restored version and the new score in November 2018 in Wiener Konzerthaus in Vienna. Performances in the concert houses of the commission partners all over Europe will follow. Television in Germany and France (ZDF / ARTE) is also in preparation.

Semana de Música Religiosa de Cuenca   ALEXANDER RADVILOVICH: Shoa (SPANISH PREMIERE) RICHARD DÜNSER: Landschaft mit Regenbogen (2017) (SPANISH PREMIERE) ALEXANDER RADVILOVICH: Camera Cantata "L'éclat des ténèbres" (SPANISH PREMIERE) FABIÁN PANISELLO: new piece (WORLD PREMIERE)  

PLURAL ENSEMBLE

Nacho de Paz, dirección

OTEIZA. ÓPERA EN UN ACTO DE JUAN JOSÉ ESLAVA MUSEO UNIVERSIDAD DE NAVARRA JUEVES, 09 DE MAYO DE 2019, A LAS 19:30

Con formato de monodrama, esta ópera recrea el pensamiento del artista guipuzcoano. La energía inicial del ser (deseo, miedo existencial, búsqueda...) se desarrolla a través del juego, que desemboca en experiencias estéticas vinculadas con varias de las obras más significativas de Oteiza.

Entrada general: 14 y 12€

Oteiza interroga la noción de individualidad a través de un recorrido en el que la identidad de un ser encuentra en el vacío su vínculo con los valores primigenios (cielo, tierra, naturaleza). La figura catalizadora de este encuentro es el crómlech neolítico, figura que Oteiza en su reflexión identifica con la toma deconsciencia del vacío. La ópera explora nuevos vínculos entre la dimensión corporal, actoral, lumínica, escenográfica y sonora en un trabajo de escritura en el que no hay fronteras entre estos elementos, sino nuevas cristalizaciones en sus formas de interactuar, que se concretan en torno a las materias sobre las que Oteiza articuló su trabajo escultórico: hierro, piedra y madera.

Con un formato de monodrama, de una hora aproximada de duración, la obra se desarrolla en torno a un actor-cantante, que interactúa con los elementos escénicos para recrear el pensamiento de Oteiza. El actor-cantante se busca, y esa búsqueda del ser encierra un drama, una contradicción fundamental: no se encuentra. La energía inicial del ser (deseo, miedo existencial, búsqueda...) se desarrolla a través del juego, que desemboca en experiencias estéticas vinculadas con varias de las obras más signifi cativas de Oteiza, que están a su vez unidas a recuerdos de la infancia y a su bagaje experiencial.

La ópera Oteiza pretende recuperar el legado del artista y hacerlo trascender en el espacio escénico del teatro.

FICHA ARTÍSTICA Música: Juan José Eslava Texto: Juan José Eslava Director musical: Nacho de Paz Director de escena: Pablo Ramos Vídeo: Juanjo Eslava, Acrónica Producciones Diseño de iluminación: Koldo Tainta Espacio escénico: Ópera de Cámara de Navarra Vestuario: Edurne Ibáñez Desarrollo software: Ángel Farando

INTÉRPRETES Dirección musical: Nacho de Paz Bajo barítono: Nicholas Isherwood Instrumentistas y electrónica Ensemble E7.2 Alessandra Rombolà (flautas) Antonio Jiménez (trombón) Ander Tellería (acordeón) Salva Tarazona (percusión) Yorrick Troman (violín) Rosa San Martín (viola) Francisco Fernández (contrabajo) Juanjo Eslava, Ángel Farando (electrónica)

Una producción de Ópera de Cámara de Navarra, Museo Universidad de Navarra, Colectivo Artístico E7.2, Fundación Museo Jorge Oteiza, con el apoyo de Gobierno de Navarra.

+ INFO / WEB

PHACE WIENER KONZERTHAUS – MOZART-SAAL PHACE SERIES 2018/19 21.05.2019

- Fausto Romitelli: An index of metals (video opera)

Daisy Press, soprano

A video-opera by Fausto Romitelli (music) and Paulo Pachini (video) for soprano, ensemble, multiprojection (3 screens) and electronics An Index of Metals bears vigorous witness to this determination to go beyond: sizzling orchestration, electric and psychedelic; a voice which plays on effects, murmurs with reverb, cackles into a megaphone, screams like a pop star; and an electric guitar score of a kind that no ‘serious’ composer has ever written, sliding across an infinite range of tones with a lightness of touch and blurring of contours. But that’s not all. Something more funereal, more strongly dissolving is given off: a fierce melancholy, and the echo, as it were, of a long Gnostic lament over the fall of souls. Shortly before his death, Romitelli together with his friend Paolo Pachini and the poetess Kenka Lèkovich, resurrected the dream of a total scenic art in the manner of the Futurists: rhythms and gleams of light striking metals (for the video part), poems in iron and chrome singing of fusion with matter, acoustic/electric music highly amplified, filtered, spatialised, in as artificial a manner as possible… An Index of Metals, a paradoxical masterpiece, torn between heroism and exhaustion.

Estrenos de obras de alumnos del Departamento de Composición

Academia para la Nueva Música (CSMA) Nacho de Paz, dirección musical

Estrenos de obras de alumnos del MASTER en Composición

Academia para la Nueva Música (CSMA) Nacho de Paz, dirección musical

June 24, 2019

 

Auditorio del Conservatorio Profesional de Música Xoán Montes LUGO (Spain), 20:00 h.

 

VÍCTOR IBARRA /Portrait concert

• Alice

• Estudio sobre el gris y el verde

• Homenaje a Francisco Toledo

• La dimensión frágil

• Paris wind behind me

• Química del agua

VERTIXE SONORA

Nacho de Paz, conductor

July 1, 2019

 

Conservatório de Música do Porto Porto (Portugal), 20:00 h.

 

VÍCTOR IBARRA /Portrait concert

• Alice

• Estudio sobre el gris y el verde

• Homenaje a Francisco Toledo

• La dimensión frágil

• Paris wind behind me

• Química del agua

VERTIXE SONORA

Nacho de Paz, conductor

PHACE Alte Oper Frankfurt am Main 24.March.2019 https://www.alteoper.de/de/programm/veranstaltung.php?id=520744077 Silent Movie Die Stadt ohne Juden (Österreich, 1924) The City without Jews (Austria, 1924) directed by: Hans Karl Breslauer music: Olga Neuwirth (2017) A production by Wiener Konzerthaus, Elbphilharmonie Hamburg, Ensemble Intercontemporain, Barbican Centre, Sinfonieorchester Basel and ZDF/ARTE in cooperation with Wien Modern and Filmarchiv Austria. Today, the silent film DIE STADT OHNE JUDEN (“The City Without Jews”) is regarded as one of the most important Austrian productions of the interwar period. Based on the eponymous novel by the Jewish writer and journalist Hugo Bettauer, the film was shot in Vienna in 1924. Disturbingly prophetic, it shows the cultural and economic impoverishment of a city following the expulsion of its Jewish population. The film was only preserved in a fragmentary and, in terms of its content, downplayed version, until the Filmarchiv Austria succeeded in finding the missing parts in France. For this extraordinary silent film project the Wiener Konzerthaus and other partners commissioned the Austrian composer Olga Neuwirth to write an accompanying music. PHACE will perform the world premiere of the newly restored version and the new score in November 2018 in Wiener Konzerthaus in Vienna. Performances in the concert houses of the commission partners all over Europe will follow. Television in Germany and France (ZDF / ARTE) is also in preparation.

PHACE SLOVAK RADIO – LARGE CONCERT STUDIO Melos-Ethos International Festival of Contemporary Music 11.11.2019  

- Fausto Romitelli: An index of metals (video opera)

Daisy Press, soprano

A video-opera by Fausto Romitelli (music) and Paulo Pachini (video) for soprano, ensemble, multiprojection (3 screens) and electronics An Index of Metals bears vigorous witness to this determination to go beyond: sizzling orchestration, electric and psychedelic; a voice which plays on effects, murmurs with reverb, cackles into a megaphone, screams like a pop star; and an electric guitar score of a kind that no ‘serious’ composer has ever written, sliding across an infinite range of tones with a lightness of touch and blurring of contours. But that’s not all. Something more funereal, more strongly dissolving is given off: a fierce melancholy, and the echo, as it were, of a long Gnostic lament over the fall of souls. Shortly before his death, Romitelli together with his friend Paolo Pachini and the poetess Kenka Lèkovich, resurrected the dream of a total scenic art in the manner of the Futurists: rhythms and gleams of light striking metals (for the video part), poems in iron and chrome singing of fusion with matter, acoustic/electric music highly amplified, filtered, spatialised, in as artificial a manner as possible… An Index of Metals, a paradoxical masterpiece, torn between heroism and exhaustion.

PALACIO EUSKALDUNA, Bilbao, Pays Basque

17 November Palacio Euskalduna, 12:00 h. JOSÉ MANUEL LÓPEZ-LÓPEZ: Obertura de "La Noche" (2003) EDGARD VARÈSE: "Déserts" (1954) PAUL HINDEMITH: "Symphony in B flat) (1951) GUSTAV HOLST: "Jupiter" (1916)

BANDA MUNICIPAL DE MÚSICA DE BILBAO Nacho de Paz, conductor

WEB    

Anton Webern: 5 Pieces, op. 10 (1913)

 

Raphaël Cendo: Graphein (2014)

 

Anton Webern: Symphonie, op. 21 (1928)

 

Franck Bedrossian: Vayehi erev vayehi boker (2017)

  Academia para la Nueva Música (CSMA) Nacho de Paz, dirección  

PHACE Wiener Konzerthaus, Wien / January 10, 2018 Hans Abrahamsen: “Schnee” (Austrian Premiere) _ “Es ist Schnee, es ist Schnee!” (“It is snow, it is snow!”) – The scenery in Hans Abrahamsen’s Schnee is set by these introductory words. Schnee, Abrahamsen’s largest project yet and one of the most remarkable compositions of this century, grew out of his transcribing of Bach canons and is inspired by the inexhaustible variety and the formal rigour of snow. The result is a sequence of canons unfolding in five complementary pairs that mirror each other in their counterpoint and texture, the qualities of one canon reflected and crystallized in the other. The rarefied landscape, cool transparency and chiseled musical texture present an extraordinary sound portrait of the white, crystalline rainfall of almost tangible presence. _ ABOUT HANS ABRAHAMSEN In a creative life of almost half a century, Hans Abrahamsen has more than once had the courage to stop, and the equal courage to start again – freshly, out of a clear reconsideration of where he was before. His allegiances are shown by the roll of composers whose works he has, as a master orchestrator, reconceived: Bach and Ligeti, Nielsen and Schumann, Schoenberg and Debussy. But he has long discovered his own terrain – quite often a snowscape, as in his early masterpiece Winternacht or the work in which he found his fully mature style, Schnee (2006-8), generally acknowledged one of the rare classics of the twenty-first century. Besides these two pieces for instrumental ensemble, his output includes four string quartets, a collection of ten piano studies (some of which he has recomposed in other forms), concertos for piano, for piano and violin, and for piano left hand, and a monodrama for soprano and orchestra, let me tell you. He is currently at work on his first opera, after Hans Christian Andersen’s The Snow Queen. © Paul Griffiths _ PRESS REVIEWS “In manipulating the listener’s sense of proximity to the sound, Abrahamsen creates a spacial interplay that is far more powerful live than on a recording.” Drew Baker, drewbakermusic.com, 08/01/2013 “Schnee explores the idea that our perception of nearly identical patterns causes the imagination to project new forms by itself… The listener’s awareness fluctuates between following all the intricate processes and letting them go – and slipping into a pleasurable trance.” Guy Dammann, The Guardian, 25/11/2010 “Schnee is intense, simple and captivating.” Jakob Weigand Goetz, Seismograf, 26/07/2010 “Hans Abrahamsen’s Schnee is a wonder. How to say how? It is a sequence of aural images of snow, in some cases onomatopoeic (the swish of brushing off a wooden deck, the soft ease-crunch of steps through a fresh snowfall) but more often poetic.” Paul Griffiths, 22/07/2010 _

Estrenos de obras de alumnos del Departamento de Composición

Academia para la Nueva Música (CSMA) Nacho de Paz, dirección musical

ACADEMIA PARA LA NUEVA MÚSICA (CSMA) Auditorio Eduardo del Pueyo / March 20, 2018, Zaragoza Luis de Pablo: Módulos I Luis de Pablo: Módulos III Witold Lutoslawski: Jeux Vénitiens

Conductor: Nacho de Paz

Estrenos de obras de alumnos del Departamento de Composición

Academia para la Nueva Música (CSMA) Nacho de Paz, dirección musical

PHACE Aspekte Salzburg, Salzburg / April 25, 2018  

- Fausto Romitelli: An index of metals (video opera)

Daisy Press, soprano

PHACE Elbphilharmonie, Hamburg / April 26, 2018

- Fausto Romitelli: An index of metals (video opera)

Daisy Press, soprano

PHACE L'Auditori-Sampler Series, Barcelona / April 28, 2018  

- Fausto Romitelli: An index of metals (video opera)

Daisy Press, soprano

PHACE ENSEMS, Centre del Carme, Valencia April 29, 2018

– Fausto Romitelli: An index of metals (video opera)

Daisy Press, soprano

PHACE Fundación BBVA, Bilbao / May 15, 2018

FILM-CONCERT

“Paris qui dort” pour ensemble et électronique

Regie: René Clair (1924) Musik: Yan Maresz (2005)

BILBAO ORKESTRA SINFONIKOA Teatro Arriaga, Bilbao / May 31, 2018

FILM-CONCERT

“Metropolis”

Regie: Fritz Lang (1927) Musik: Gottfried Huppertz (1927)

BILBAO ORKESTRA SINFONIKOA Teatro Arriaga, Bilbao / May 31, 2018

FILM-CONCERT

“Metropolis”

Regie: Fritz Lang (1927) Musik: Gottfried Huppertz (1927)